I just created a new” film” depicting Ladakh and Zanskar. In July and August of 2013 I will be teaching a course on Visual Anthropology at Quest University Canada… well, the course is offered by Quest but the course will actually be taught in Ladakh and Zanskar. The course will teach students the use of cameras and video equipment such that they can create contemporary monographs attempting to bring a greater understanding to the human condition through the discipline of cultural anthropology.
I will bring to the process my 11 years of work with National Geographic to help guide the students to maximize their visual tools in the process of anthropological exploration.
This video provides a quick vision of what one can expect visiting this fascinating corner of the earth, virtually all of which, I might add, is above 11.000 feet of altitude.
The “film” was shot with the new Sony Nex cameras and lenses and edited using Final Cut X. Fantastic “tools” for anthropological work.
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I find it fascinating to wander through my life-time of images. It is through these photographs which essentially measure my life and fundamentally define who I am.
One of the most exciting and interesting stories I did for the NGS was for the 100 year anniversary issue – Exploring the Earth. The National Geographic and the Boston Museum of Science invested 10 years in defining and creating commitments to allow the overflight of the top of the world and given that one-half of Everest is in China this was a touchy and difficult negotiation. I was lucky enough to have been the one to do the image making. Two aircraft were utilized: a Swiss Pilatus Porter turbine engined small plane, and a Lear Jet from Sweden that was especially outfitted for oblique image making as well as map making. The project was many months in the process and a fantastic experience. It was exciting and dangerous.
(click on the image for enlargement)
A year ago I was in a discussion with the president of my son’s University (Quest Canada) about the nature of their website. In my kindly and generous way I said I would fix it pro bono. Whoa… too generous but a commitment had been made – a huge job and a year later but it is done. The connection here is that the entire project, the videos, the stills were all created on these two Canon cameras. There were almost 40 videos and over a thousand stills. The quality and ease of use of these tools was and continues to be astonishing.
I stayed away from all the add-on tools that one can buy… I had an assistant part of the time but the imagery was created often on the go without a lot of pre-planning. I used the cameras’ monitors to focus and the sound was brought into the cameras as well (there are noise issues but it has more to do with the air conditioning and other mechanical “gray sound” in the background and I didn’t have the time or inclination to do something about it given the time constraints). Tools do not make great images or film obviously and I am not suggesting that this is great work. What I AM suggesting is that the tools were easy to use as always, substantial in terms of ergonomics. I never had to worry.
Baer Ridgway Exhibitions is pleased to present EVEREST, a selection of Mount Everest aerial photographs taken in late 1983 by William Thompson on assignment for National Geographic Magazine. These photographs represent the first and only complete aerial imagery ever taken of Mount Everest. These images were created in the cauldron of an on going geopolitical intrigue. To overfly Tibet required a delicate and difficult navigation of the political, social and religious landscapes of China, India, Tibet and Nepal. This was accomplished through ten years of building partnerships and personal ties through the efforts of the Boston Museum of Science and the National Geographic Society.
The sublime beauty of these images illuminates that while this is some of the most perilous terrain on the planet it is also some of the most architecturally beautiful. The peril exists not only for the mountaineer who climbs these peaks but also for the photographer (and pilots) as the process of making these images at extreme altitudes was enormously dangerous.
Canon 5D Mark II and its video capability: On a recent shoot for Intel which I was directing (and shooting as I like my images to look the way I want them) I employed the new Canon 5D Mark II its video mode. The Canon images were shot along with two JVC video cameras. The JVC imagery is excellent and very sharp, but unfortunately the ability to creatively use depth of field does not exist. When we finally completed the edit using imagery from all three cameras, the Canon images were the most widely employed. In a sense, they were almost awesome in character. It is also a wonderful aspect that the files from this camera can be dropped directly in the editorial timeline with particular relevance to the fact that we were using Apple Final Cut Pro.